Chief in artwork nouveau movement was scientist, not an artist

In style, the line involving art and science is not always evidently drawn. This has been true for hundreds of years. One particular of the most influential figures in the artwork nouveau movement of the late 19th to early 20th century was a scientist, not an artist.

Starting in 1889, biologist Ernst Haeckel posted a collection of textbooks referred to as “Art Kinds in Mother nature” that captured the geometric structure and intricate beauty of sea daily life, microscopic organisms, vegetation, animals and bugs. Though artwork nouveau models are stylized and exaggerated, primarily human figures, the influence of character, in particular as captured by Haeckel, is crystal clear in the natural asymmetrical shapes and the use of plants, animals, birds and insects as subjects or motifs.

This lamp shaped like a cluster of mushrooms with lengthy stems and graceful curving styles may possibly not have been produced in the art nouveau period of time, but it is unquestionably art nouveau fashion. Its leaded glass shades, bronze base and nature inspiration are reminiscent of Tiffany lamps, by themselves emblematic of art nouveau, but in contrast to them, it was a bargain. Although reliable Tiffany lamps can provide for file-environment prices of countless numbers of dollars, this mushroom lamp marketed for $344 at a Hindman auction.